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That’s elementary, my dear.If you are a USA consumer, you have the legal right, under the Consumer Protection (Distance Selling) Regulations 2000 to cancel your order within twenty eight (28) working days following your receipt of the goods or the date on which we begin provision of the services. Forget the streets of London - my detective fix comes on Olive Avenue. And this connection is despite all the adaptations and actors who have played the roles over the years. So, there you have it: Moore and Montelongo. Henry Montelongo is strong reprises this supporting role from his turn in “Hound.” His character tempers Holmes’ eccentricities and lightens the tone.Ĭome to think of it, when I close my eyes and think of Dr. Plus, Joseph Ham is terrific in yet another memorable role, this one as a slimy henchman who pivots from folksy to ruthless in a blink.Īdding to Moore’s presence is the return of another company member as the all-important sidekick, Dr.
#HEADLINE REVIEW SHERLOCK HOLMES SKIN#
Jessica Rose Knotts, as the enigmatic Irene Adler - who had an affair with a king and is now trying to save her skin - is well cast. Joielle Adams’ lighting design helps set a sinister mood. Still, with Moore’s Sherlock bristling his way through the storyline - which includes a major chunk of stage time devoted to his ongoing rivalry with the evil Professor Moriarty (Kelly Ventura, who makes a nice villain) - I found a number of things to like in director Karan Johnson’s production. All memberships and donations are tax-deductible. You can help by signing up for a monthly recurring paid membership or make a one-time donation of as little as $3.
#HEADLINE REVIEW SHERLOCK HOLMES PROFESSIONAL#
The Munro Review has no paywall but is financially supported by readers who believe in its non-profit mission of bringing professional arts journalism to the central San Joaquin Valley. And being able to see unused set pieces tucked under a platform felt lackluster. The script calls for a jillion locations, which is a challenge, but the multipurpose scenic design lacks a strong concept. Playwright Steven Dietz, who based it on the original 1899 play by William Gillette and Conan Doyle, gets in lots of narrative machinations but doesn’t provide much opportunity for the audience to connect.ĭavid Pierce’s set didn’t work as well for me, either. And so much action has to occur offstage (or while imagining waterfalls and abandoned factories, say) that the script feels overly dense and wordy. The plot is more convoluted, so much so that I stopped actively trying to figure out the details and just let the twists wash over me. (I admit, however, that I am especially partial to the headline I wrote for that review: “Ain’t Nothin’ but a Hound Fog.”) In “Final Adventure,” I didn’t feel the dramatic tension as much as I did in “Hound.” I’m not as keen on this installment in the famous-detective franchise as I was for 2017’s chipper “The Hound of the Baskervilles,” which also featured Moore in the leading role, along with a very scary dog lurking on the misty moor outside the English manor house in which the play was set. The steely countenance set off by the flagrantly expressive eyebrows.Īll this is put to good use in Good Company’s latest Holmes offering, “Sherlock Holmes: The Final Adventure,” currently playing at the 2nd Space Theatre. The roaring intellect mixed with a bit of geek-out obsessiveness. There’s something about the Good Company Players actor’s interpretation of the role that just seems right: The supreme confidence tempered by the slightest fumble of awkwardness.
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